1 9 8 4
(Boston University SOT, 2019)(Scenic/Projections Designer)
Director: Clay Hopper
Interactive and 3D Sequences (app programming and design): Ellen Lo
Lighting Design: Matt Robson and Jonas Hayes
Sound Design: Jacob Montgomery
Interactive and 3D Sequences (app programming and design): Ellen Lo
Lighting Design: Matt Robson and Jonas Hayes
Sound Design: Jacob Montgomery
"The nature of truth and objective fact have recently been called into profound question by leaders in this country. Concurrently with this development is a growing global acceptance of authoritarian tendencies in liberal democracies and the adoption of a ubiquitous communication technology that collects, preserves, and uses data on each one of us. This can best be described as creating an “opt-in” surveillance state. All of this makes Orwell’s prophetic and dystopic 1984 particularly timely, and a necessary tool to critique the forces at work right now in our society.
This production is also an experiment: a novel collaboration between School of Theatre, School of Visual Arts, and BU’s Department of Electrical & Computer Engineering. We are attempting to utilize projection mapping and computational vision technology to create a projectionscape that interacts with actors in real time."
-Clay Hopper, Director
This production is also an experiment: a novel collaboration between School of Theatre, School of Visual Arts, and BU’s Department of Electrical & Computer Engineering. We are attempting to utilize projection mapping and computational vision technology to create a projectionscape that interacts with actors in real time."
-Clay Hopper, Director
-Commute Sequence Part 2 (in progress): Transition from Commute Part 1/ Julia's Note into Dance Club Sequence